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Friday 23 January 2004

What happens next

Ok, so the HOA was vengeful. you can't do stuff without asking first. However, Ellen has been encouraged to work with the design review comittee (which includes an architect), to come up with a shorter version of the shack which is not nailed into the wall (big sticking point due to water penetration issues, which are really very minor, but you know . . .). Her plan, she told me, is to tear down the old shack and re-use the materials to construct the new one, which will keep her busy for a quite a while and hopefully will not fxck up her upcoming gig in Seattle.

Somebody on the HOA wrote an angry letter about the shack, condeming it and attacking me, saying that I had been asked to attend the meeting, but had refused. Indeed. I told everyone that I talked to that I would have loved to attend, but classes were starting. I'm sure that any other person in my compound would have skipped registration day and the first day of classes and bought a last minute new plane ticket, so I feel like quite a slacker. But there was this class I wanted to add, for which I had emailed the professor asking for approval, but she didn't write back. I felt like attending the first session was necessary to get the class. It was a hard choice for me, since the class isn't offered every year. Finally, my education won out, mostly because I didn't want to spend hundreds of dollars on a new ticket and also have to pay late fees. Sharon would not beleive this, but so far, I have avoided all late fees. I have not even asked the grad office for mellon balls, although they often have cookies out and actually, one time they did give me mellon balls, now that I think about it. this is the difference that a big endowment makes.

anyway, I didn't see this letter, since it went out after I left. But there have been many similar letters with neighbors denouncing each other during my time in that compound. I really like Berkeley. I live in nice area. I have neighbors that are actually very nice in social settings. Nevertheless, I'm very strongly thinking about selling after I finish with school. This would be after another 14 months at Wesleyan. a possible year in Germany after that (I hope) and maybe a PhD program, so not for a while. There's some sinister similarities between homeowners associations and Maoism. The denunciation thing. It's an exploitable part of human nature. I used to have a coworker at netscrape who said that the Stanford Prison Experiment showed that you didn't have to train people to be concentration camp gaurds, you could just get them to do it automatically (I'm so glad I'm out of the software buisiness). I think that Maoist denunciations work the same way. You can exploit people's natural tendencies to support your system. It's prolly easier than capitalism, since it doesn't require a gigantic media apparatus constructing rediculous myths and pounding people with them constantly.

I'm a good leftist. I want to beleive in a noble human character that would come out under a just economic system. People would farm in the mornings, code in the afternoons and write symphonies in the evenings, to paraphrase and mangle Marx. But there are people in the world (I'm no longer talking about my HOA, but more about political groups in Italy and the US) who are true beleivers in facism. There are people strongly dedicated to the other side. Some of these folks are paid by plutocrats. some of these folks are plutocrats. some are afraid of alien other. but there are some folks who just believe in facism. How do they get these ideas? How do you neutralize these ideas? How can you fight this tendency? Is it learned? Is it inborn? Is there some cultural meme that could be stamped out, thus leading to the utopian sisterhood of humans?

School

Anyway, this semester, I'm taking Mystic Voices, and undergraduate Medieval studies class that I didn't know if I would get in to, Alvin Lucier's composition seminar, a group tutorial in SuperCollider (taught by Ron Kuivila, my advisor), Colloqium, and Gamelan. Jessica told me that I have to take a different ensemble this semester and I can't keep taking the same one. If this is the case, then I'm going to take Anthony Braxton's ensemble, although I would need to ask him to waive the pre-req, which I think he would do. I plan to take his ensemble next fall, along with gamelan, and take fewer academic-type classes.

For the record, although I whine about back pain, I really like gamelan. The songs are groovy and the ensemble is low stress. We had our first meeting tonight. I played the gong, which is the most laid-back of all the instruments, since it only plays at the end of phrases that are 8, 16, 32, 64, or 128 notes long. Hypothetically, phrases could also be 256, 512, or 1024 notes long. There's a cutoff somplace, the longest phrases ever actually written, but I can't remeber if it is 256 or lower. I feel very ethnomusicologically-oriented when I play gamelan. Last semester, the ensemble was the grad student social club. this semester, there is a teem horde of undergrads and few grad students. There's me and a small group of PhD students, but I feel good about it.

I'm sort of half TA-ing Ron's Recording Culture class. I'm not officially assigned to the class and the last hour of it conflicts with the Mystic Voices class. Ron said this would be ok. There's a parking garage in Middletown that plays loud Baroque music year-round in an unsuccessful bid to drive away youths from a coffee shop located in the first floow of the building. In the warm months, the youth hang around the coffee shop anyway. In the cold months, nobody would sit outside and get snowed on to drink coffee, but they leave the music on anyway. The parking garage is music is highly irritating. Somehow, Ron convinced the parking garage owner that his Recording Culture class should be allowed to do an installation there for 24 hours, where they use the Muzak system. He's involved in curating a seperate event, called Rock's Roll, at a museum where composers submitted stuff that's supossed to be played on top of each other. Composer A's tracks play at the same time as Composer B's. Ron's starting off his class by having them mix the submitted stuff, including things that were not picked for the museum. The submissions include works by Maggi Payne and Brenda Hutchinson (I think The Star Strangled Banner is among them). Maggi's stuff sounds really cool. I haven't listened to all the submissions yet.

I do not know if semi-TAs get to do anything for the parking garage, I'll keep you posted. But personally, I think the owner should permanently cancell Muzak and let me install some SuperCollider patches. I could just stick a laptop in their PA system, which would not only be more economical than paying Muzak fees, but would also be much more interesting and just as likely to drive people away. I'm thinking about that thing I did a long time ago with virtual memory. I'm thinking about just intoned triads that might make people want to hurl themselves in front of trains. I'm thinking about fingernails on blackboard type sounds. Dubya talking backwards about terrorists.

I want to do more stuff with Dubya. I noticed a certain melodic quality when he said "In fact, what the terrorists have done is caused us to take an assesment of what's important." There's interesting pitch material lurking there. It's higher pitch than the rest of his speech. Insincere. Sing-songy, almost. I went to the WhiteHouse webpage and fired up AudioHijack and started capturing the State of the Union address. Only when he started tlaking about Hydrogen-powered cars, did I realize that I was grabbing the wrong year. If you can stand it, go listen to last year's address. The text is very, very similar to this year's. I didn't get as far as weapons of mass destruction before I quit listening. For some reason, they haven't posted this year's address. I heard a rumor that Democrats applauded when he said that the Patriot Act was set to expire this year (thank god), so maybe they're editting that out.

I don't know what I'll do for political audio-mangling if Dean wins in the fall. I guess I could use his Iowa roar thing.

So, except for Mondays, I have a much more relaxed schedule this term. I'm also only taking 4.25 units this semester, instead of 4.75. I might even have time to write music. I heard a rumor that Alvin will require us to write a string quartet. So I'll be in the library with the score to Ruth Crawford Seeger's String Quartet and the CD, trying to figure out how she did what she did.

Mood

Often hopeful (like right now), but with a tendency to slip in to anger or despair. In Berkeley, walking around often restored me to hope. Here, not so much. I'm speculating that it's the cold + people often don't bother shoveling their sidewalks, thus making the walks somewhat treacherous (what's with my neighbors? they pile trash in their yards. they don't shovel snow.). Also, in Berkeley, I felt a sense of belonging to a larger thing. I am a part of the universe, etc. Here, I feel rootless. I tell myself that I'm part of the universe, but I feel more like a Christmas tree, cut off from my roots and dragged to suburbia to eventually wind up being tipped over in the middle of the unshoveled sidewalk, next to garbage cans. I've got an appointment with Behavioral Health (aka: a shrink) on tuesday.

Thursday 22 January 2004

more

I ate halvah tonight, but the crushing pain of existence was only partially ameliorated. Had an annoying conversation with the housemate which has now been classified as a boundary for me. Feel very annoyed about the HOA descision and mad at myself for getting the night wrong. Need reassurance that I'm on the right track. There's a certain volitility to my outlook. Last night or the night before, had a long conversation with a some people about student mental health services. All the grad students are angsty. Jessica explained that people go to grad school when they don't know what to do with their life and want to put off real life for a while. I felt a strong sense of belonging and that I was in the right place at the right time. If only I had inner stability and could keep these perspectives instead of sliding away from them.

I miss Ellen a lot

arg

The homeowners meeting was last night. damnit. they voted that the shack must come down.

Why? Because we couldn't set a precident that people could do whatever they wanted with their backyards, now could we?

Ellen will prolly require assistance in tearing down the shack. If you want to help, I can put you in contact with her.

Wednesday 21 January 2004

Now that's just weird

Handy guide to the Democratic primary candidates

Quick call for comments

The hoa is meeting tonight. i'm emailing a letter to the president this afternoon

Dear Members of the HOA,

This letter concerns the temporary structure in the backyard of Unit N. As implied, this structure is intended to be temporary. Ellen Fullman is occupying my unit while I am away for graduate school. I will graduate in May 2005 and dismantle the structure when I return. Ms. Fullman is an internationally known composer and the inventor of the Long String Instrument. When I offered her use of my unit, she said it was too short for her instrument and we came upon the idea of extending the instrument into the backyard.

Ms. Fullman has performed around the United States and Europe. In 2001, in San Francisco, she premiered a 45 minute piece that she wrote for her instrument and the Kronos Quartet. She was recently featured in the cover story of MusicWorks magazine. I feel that her work is both important and incredible. Having use of the temporary structure enables her to continue this work while she stays in Berkeley.

We are willing to be flexible and to take any action that the HOA deems necessary, up to and including the immediate demolition of the structure. Should the HOA decide to allow the structure to stay up for the next 16 months, I am willing to assume all liability connected to the structure. I hope that given the temporary nature of the structure and the value of Ms. Fullman's work, the board decides to temporarily allow the structure to remain.

Thank you very much,
Celeste

I'm considering cutting the middle paragraph, because when we had our "open house" (which nobody came to), the flyer had a bio of Ellen on it. So should I remind them, or should I stop going on about it?

Monday 19 January 2004

Moving Targets

Asking a 15 year old to write about "who am I" is silly, because by the time the teacher gets around to grading the paper, the kid will have changed entirely. People go through some periods of intense change. I was talking to my housemate last night about Saturn Returns and he, who is the same age as I am, told me about how lately, he's been his moodiest since the age of 16. "something's going on." we concluded.

So, there are some things I know about myself: I'm queer. I like music and programming and I'm good at both. Aside from that, instead of trying to pin myself down as a moving target, it would be more useful to have a goal state. So instead of "who am i," "who do I want to be?"

I would like to be the sort of person that my astrological sign says I should be. (what I love about California: it's ok to treat astrology with seriousness. anywhere in the country. just say you're form from california). I would like to have creative ideas and follow through with them. I would like to be smart. I would like to be kind and caring and thoughtful and mindful and mellow and grounded and calm and serene and an activist and ambitious and driven and relaxed.

some of these things conflict, but there's contexts for everything. also, i would like to be able to leap tall buildings in a single bound.

I met a woman during break who makes a list of what she wants to achieve in a year and then on the other side of the paper, she writes what she's willing to do to meet her goals. she carries the list with her and looks at it first thing in the morning and last thing at night. I'm not sure that I want to be that driven, though. But it does raise the question of how I reach my goal state of being both highly active and very calm. What would I put on the reverse side of my list?

I'm back east

I got home about 5 minutes after xena did. My goodness, I left my room a mess. I was extremely distressed when I left Middletown for my unexpected trip to California. But if I wasn't depressed already, the room would have done. I'm launching an excavation to find the floor and to let in some natural light. but it's also necessary for me to get my laptop on my airport network (yay) and otherwise goof around.

Sunday 18 January 2004

Who am I

When I was a sophmore in highschool, I was assigned to write a paper on the subject of "who am I." This is what occurs in catholic highschool religion classes. I wrote a paper telling the teacher to bug off, it was none of his buisiness. When I was a junior in highschool, I was assigned to write a personal statement which would be useful for college apps. I started it with "'I am gay.'" explaining that my previous year's paper should have started with that sentence. When I was a senior, I borrowed the phrase from Socrates that "the unexamined life is not worth living." In college, they quit making us write these papers.

Maybe that's why I have so little sense of self now. I was talking with Amy, former housemate, on the phone today and she asked who I was without Christi. I have no idea. So I'm giving up on self-loathing, because I'm not even sure who I'm mad at. I used to rant about how individuality is over emphasised in Amerikan culture. I still think this is true. "Rugged individualism" is a myth put forth by people who want to renig on the govt's role in the social contract. But maybe some individuation is a good thing.

I've had a very crappy couple of years. My mom died. My marriage broke up. I think that I can't live for other people. Other people are unreliable. They die or leave. I have to live for myself (whoever that is). This is, of course, tempered by the idea of community. There's a fine line here. I need to be self-reliant, and I need to be conscious of how my decisions affect other people.

My plan was to explain the aimlessness of my mid-twenties by explaining that I was "finding myself." Unfortunately, I wasn't looking hard enough. Jean says that by the time my Saturn Return is done (I've got one year left), I'll be an entirely different person than I was before, so I'm guessing it means that it's ok that my sense of self is somewhat confuddled.

My friends and neighbors that I've been talking to all tell me "hey you look good!" Like I've undergone some sort of change. And a positive one at that. I was thinking that I've finally met my goal of becomming mellow as fxck, but then someone told me that it was having short hair. Alas, still angsty. Not yet mellow.

Saw Autmn and Stephen and my dad tonight at a show at 21 Grand. It was groovy, especially the first tow acts I saw, most especially the second one. Beforehand, I played my new tunes for my dad. He heard the triad one and asked if I was going to see a shrink at school. I enjoy this reaction, actually. I want people who hear the piece to think of throwing themselves in front of trains. I want it to sound more melancholy. I want people who hear it to feel the crushing pain of existence bearing down on them from all sides. I want them to realize that in two short years they can lose the two people who are most important to them. That love doesn't conquer all. It doesn't conquer anything. Everything that they have faith and hope in will eventually crumble and come to naught and trying to stop it is like trying to stop the tide. I want listeners to taste their own mortality.

So far, I have not come upon exactly the right sound design to get these reactions.

when next I post, I'll be back on the east coast.

what if you gave an open house and nobody came?

I think I will now go knock on my neighbor's doors. We have the tie, but I feel uncomfortable not having a margin. And zero people have come over, even though a lot of guacamole was made.

Commission Music

Commission Music
Bespoke Noise!!